You will help them accomplish wonders. You will guide them so they might not make the same mistakes we did. You will show them this was the moment when the rise of the oceans began to slow and the planet began to heal.
If the synopsis looks bad, the editor will toss the proposal without even looking at the chapters. Keep the novel synopsis pages double-spaced. This may be the fiftieth synopsis the editor is reading this week, so brevity is essential. Focus on the characters particularly their personalities, goals and conflictsthe plot particularly the main arc and the sequence of what happens.
Also, describe the setting as necessary, particularly if it is interesting. Please leave out minor plots and characters. The more characters you name, the harder it is to keep the names apart. Begin with the main character as he starts an interesting plot sequence, NOT a demographic description of the main character.
The first paragraph should introduce the editor to a likable character facing a high-stakes challenge.
Here are some sample opening sentences. To save space, I recommend keeping it as active as possible. Also, avoid unnecessary adverbs. The synopsis should be in the omniscient present tense.
That will help you get in the mindset of figuring out which elements are most important. The editor wants to know if you have a story, not what the hero looks like.
Publishers will not buy a novel manuscript from a first-time novelist unless the manuscript is completed. However, nonfiction is a bit different. Finally, some formatting tips. Use size 12 Times New Roman or Courier.
Use a header that includes the name of the book, the page-number and your name. That will help the editor keep everything together. Make sure that you cover those chapters in the synopsis anyway!
If the publisher is interested, they will ask you to send the rest. However, they are under an extraordinary amount of economic pressure to come up with the next bestseller.
I recommend not taking any rejections personally. Mac on 02 Mar at The length is still pages for a multi-issue seriesbut you can do a single page for a standalone one-shot.
I feel the comic synopsis is still very important. It gives the editor the big picture of your story. In contrast, when an editor starts to read the script, he sees only a few panels at a time. Also, the synopsis is usually easier to read. The main difference is that a comic book synopsis has to recount less material.
Most novel manuscripts are usually K words long, but a 5-issue series is not even close. Another difference is that comic book series are written, sold and read by the issue.
If you want to pitch a series, I would recommend organizing your synopsis by what happens in each issue.
That will show that you have a good eye for pacing and cliffhangers. Organizing it by the issue will help you prove to the editor that your story is interesting from issue one onwards. Well, this is the abridged version; the real version would be several pages long and would have more details about the characters, goals, conflicts, etc.
Suspecting an inside job, the US Marshals bar Gary from returning to work until the crime is solved. Cut off from his friends and work, he gets lonely and depressed. Driven to desperate measures, he decides to apply to the Office of Special Investigations, a federal agency that handles supervillains and other supernatural strangeness.
Agent Orange is a mutant alligator that is highly eccentric and does not get along well with Gary, who is thoroughly normal. Marty assumes that this will convince Agent Orange to finally leave the agency, or at least will provide evidence that Marty can use to fire Agent Orange.
At the end of the first issue, the cliffhanger is that the reader learns that Marty plans to get Gary killed if that is what it will take to get rid of Agent Orange.Auto Suggestions are available once you type at least 3 letters. Use up arrow (for mozilla firefox browser alt+up arrow) and down arrow (for mozilla firefox browser alt+down arrow) to review and enter to select.
The first edition of THE EXILE: AN OUTLANDER GRAPHIC NOVEL was released in hardback on September 21, , and published by Del Rey books. Illustrations are . I provide advice about how to write novels, comic books and graphic timberdesignmag.com of my content applies to fiction-writing in general, but I also provide articles specifically about superhero stories..
Creating Superhero Characters. Superpowers Will Not Make a Boring . Watchmen is a science fiction American comic book limited series by the British creative team of writer Alan Moore, artist Dave Gibbons and colorist John timberdesignmag.com was published by DC Comics in and , and collected in a single volume edition in Watchmen originated from a story proposal Moore submitted to DC featuring superhero characters that the company had acquired from.
Sample Graphic Novel Synopsis. The Outpost. The Outpost follows Marcus Bainbridge, a Special Forces veteran in a post-apocalyptic world. Decades before the story begins, the Great Plague has wiped out most of humanity with a zombie apocalypse.
Now, the last known colony of humans resides in a walled city known at The Outpost. Jun 22, · One sign of this is the presence of graphic novel reviews on websites such as Blogcritics and Primary Ignition, along with writers' blogs that include reviews of graphic novels.
Writing a graphic novel review is in many ways similar to writing a book review, except that you must also address the visual elements of the graphic novel%(3).